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Touch of Evil
Description
A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.
A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.
Actors:
Dan White,
Victor Millan,
Zsa Zsa Gabor,
Janet Leigh,
Joseph Cotten,
Harry Shannon,
Ken Miller,
Phil Harvey,
Eumenio Blanco,
Johnny Kern,
Lalo Rios,
...»
Dan White
25 March 1908, Falmouth, Florida, USA
Victor Millan
1 August 1920, Los Angeles, California, USA
Zsa Zsa Gabor
6 February 1917, Budapest, Austria-Hungary [now Hungary]
Janet Leigh
6 July 1927, Merced, California, USA
Joseph Cotten
15 May 1905, Petersburg, Virginia, USA
Harry Shannon
13 June 1890, Saginaw, Michigan, USA
Ken Miller
October 15, 1931 in Springfield, Ohio, USA
Phil Harvey
11 May 1921, Emporia, Kansas, USA
Eumenio Blanco
9 January 1891, Manzaneda, Ourense, Galicia, Spain
Johnny Kern
29 August 1905, Austria
Lalo Rios
7 February 1927, Sonora, Mexico
Director:
Orson Welles
Orson Welles
6 May 1915, Kenosha, Wisconsin, USA
Country:
United States
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July 09, 2015
The bravura of the opening sequence of Orson Welles's last Hollywood picture grabs you by the throat.
March 12, 2013
Having the Touch of Evil envisioned by our most creative filmmaker, is a wondrous gift no movie lover should miss.
July 09, 2015
Adapted by Welles from Whit Masterson's pulp thriller Badge of Evil, it had streaks of teen degradation and reefer madness, and the most intense interracial relationship since The Searchers.
June 24, 2006
A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.
July 09, 2015
Welles made the film that virtually capped a style he had helped create: you could say that the span of film noir started with Citizen Kane and ended with this movie.
July 16, 2015
It is typical of Orson Welles that he takes a B-movie thriller set on the Mexican border and gives it a Shakespearian grandeur.
March 12, 2013
Expressionistic in the extreme, filled with shadows, angles and cinematic flourishes, the film raises the usual brooding nightmare ambiance of film noir to a level few other pictures have attempted.
September 07, 2011
Indeed, just to see and hear the extraordinary 3 minute and 20 second opening sequence -- a fluid tour de force tracking shot -- without impediment of opening credits and street-sound-masking movie score is accomplishment enough.
July 10, 2015
Touch of Evil deserves to be watched multiple times, not for the story, but to absorb its brilliance and audacity.
March 12, 2013
[Welles'] scenes with brothel-keeper Marlene Dietrich have nothing to do with the plot and everything to do with the rotting heart of this amazing fable: the apotheosis of pulp.
July 10, 2015
Like the bomb that's lobbed in the boot of the soft-top car in its opening scene, Touch Of Evil is a film where we can hear the faint sound of ticking in our heads, but don't realise what the problem is before it's far too late.
Slate
April 06, 2007
I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.