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The Third Man
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The Third Man

Description
The story tells more of the tragedy of love, murder and deception. It speaks of Holly Martins, the West Wonders author, who arrives bankrupt as a guest of his childhood Harry Lame to find him dead. It may not have been all right during those investigations into that mysterious death. This mythical story begins with love, deception and murder, where there seems to be a tragedy close to reality.
Actors: Annie Rosar,
Annie Rosar
Annie Rosar May 17, 1888 in Vienna, Austria-Hungary [now Austria]
Hedwig Bleibtreu,
Hedwig Bleibtreu
Hedwig Bleibtreu 23 December 1868, Linz, Upper Austria, Austria-Hungary [now Austria]
Hugo Schuster,
Hugo Schuster
Hugo Schuster November 22, 1886 in Aachen, North Rhine-Westphalia, Germany
Robert Brown,
Robert Brown
Robert Brown 23 July 1921, Swanage, Dorset, England, UK
Alida Valli,
Alida Valli
Alida Valli 31 May 1921, Pola, Istria, Italy [now Pula, Istria, Croatia]
Alexis Chesnakov,
Alexis Chesnakov
Alexis Chesnakov September 26, 1894 in Russia
Martin Boddey,
Martin Boddey
Martin Boddey 16 April 1907, Stirling, Scotland, UK
Walter Hertner,
Walter Hertner
Walter Hertner
Leo Bieber,
Leo Bieber
Leo Bieber 1904 in Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Paul Carpenter,
Paul Carpenter
Paul Carpenter December 8, 1921 in Montreal, Quebec, Canada
Michael Godfrey,
Michael Godfrey
Michael Godfrey
...»
Genre: ThrillerMystery
Director: Carol Reed
Carol Reed
Carol Reed 30 December 1906, Putney, London, England, UK
Country: United Kingdom
Release: 1949
IMDb: 8.10
Quality:
Duration: 104 min
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The Third Man
CRITICS OF "The Third Man"
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Oregonian
Resource

July 03, 2015

It's an exciting experience, dazzling and entertaining and thought-provoking.
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Seattle Times
Resource

July 02, 2015

Reed and screenwriter Graham Greene let the story unfold slowly and deliberately, like the cigarette smoke that floats around the characters, and keep us guessing at every step.
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Willamette Week
Resource

July 01, 2015

What really makes the film sing, though, isn't the jaunty and iconic zither score by Anton Karas. It's the film's groundbreaking visual aesthetic, which combines noir tropes with expressionism to create a visual wonderland of living shadows.
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Village Voice
Resource

June 23, 2015

The Third Man is a movie of sobering pleasures.
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culturevulture.net
Resource

July 04, 2015

The bombed buildings, piles of rubble and their evocative shadows form a haunting backdrop to the outdoor scenes, particularly at night. ... Greene's talent for dialogue and suspense shine. [It] has more twists and turns than a rollercoaster.
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Seanax.com
Resource

March 09, 2017

There's an element of show-off quality in The Third Man-it's a stylistic tour de force of bravura lighting, brilliant location shooting, dynamic imagery, and sharp angles throwing the world off kilter-but Reed rises to the challenge of Greene's script.
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Boston Globe
Resource

August 06, 2015

Krasker's camera reveals a dank, matte, defeated city - so dully vivid as to be a character unto itself - except that this Vienna becomes something altogether different seen at night or underground.
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Salon.com
Resource

June 26, 2015

"The Third Man" is important not just because of its technique but because of its theme ...
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eFilmCritic.com
Resource

July 28, 2015

Welles was a still-ridiculously young 34 when he played Harry, but he was probably born sounding 56...
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Chicago Tribune
Resource

July 02, 2015

Like many, I have loved this thriller of conscience and betrayal most of my moviegoing life.
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Monthly Film Bulletin
Resource

August 01, 2015

By the very nature of its settings and story, there are occasional reminiscences of Lang and Hitchcock, but there is nothing borrowed or imitated. Stylistically, The Third Man is Reed's most impressive film.
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Time Out
Resource

June 24, 2015

A lot funnier than you remember it, Carol Reed's immortal 1949 film noir seems to exist in the space between two worlds: an earlier time when thrillers were mostly serious affairs, and a future one, when such supremely witty entertainments felt passé.
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