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EPISODE
I Love You, Now Die: The Commonwealth v Michelle Carter - Season 1
Description
Michelle Carter stands trial for sending texts to her boyfriend to kill himself.
Michelle Carter stands trial for sending texts to her boyfriend to kill himself.
Actors:
Emily Bazelon,
Bob McGovern,
Katie Rayburn,
Michelle Carter,
Joseph Cataldo,
Lynn Roy,
Peter Breggin,
Camdyn Roy,
Maryclare Flynn
Emily Bazelon
Bob McGovern
Katie Rayburn
Michelle Carter
Joseph Cataldo
Lynn Roy
Peter Breggin
Camdyn Roy
Maryclare Flynn
Genre:
Documentary
Director:
Erin Lee Carr
Country:
United States
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July 09, 2019
Carr's two-part doc dives deep with limited time, but the story of Conrad Roy and Michelle Carter is readymade for a longer exploration.
July 11, 2019
Being cut off from Carter's family is a huge blow to this documentary, but it's not the only hole.
July 09, 2019
Even if you know how it ends, you can't help but be riveted (and heartbroken) by what happened and why - and what it could mean for the consequences of what we say to one another online.
July 11, 2019
The documentary is split into two parts, the first looks at the case from the angle of the prosecution, the second from the angle of the defense. It's a striking lesson in how perceptions can change.
July 11, 2019
Carr, in what feels like a revelatory move for a documentarian investigating a true-crime case, never comes down on one side or offers up a finite conclusion.
July 11, 2019
The documentary's second half, in particular, does a marvelous job in painting the picture of the whole relationship. That picture is believable, tragic, terrifying, and blurs the concepts of the victim and the victimizer as we understand them.
July 09, 2019
A fascinating investigation.
July 11, 2019
Layered with the complexities of modern life, I Love You, Now Die is one of the best documentaries you'll see all year.
July 10, 2019
As in her past documentaries, [Erin Lee] Carr excels in extending a touch of humanity to characters whose stories otherwise would be defined by what can be splashed on the cover of a tabloid.
July 11, 2019
The two-part documentary itself is OK, although it relies too heavily on text messages to relay the story, which can often be dramatically inert.