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Two For The Road
Description
Following a life after courtship and marriage, infidelity and parenthood of Joanna, working in a touring girl's choir and Mark, a struggling architect. All spin down the highways of infidelity in their troubled ten-year marriage. Can they have happy life finally?
Following a life after courtship and marriage, infidelity and parenthood of Joanna, working in a touring girl's choir and Mark, a struggling architect. All spin down the highways of infidelity in their troubled ten-year marriage. Can they have happy life finally?
Actors:
Irène Hilda,
Paul Mercey,
Albert Finney,
Moustache,
Jacques Hilling,
Roger Dann,
Libby Morris,
Dominique Joos,
Albert Michel,
Claude Dauphin,
Judy Cornwell,
...»
Irène Hilda
8 December 1920, Richmond, Virginia, USA
Paul Mercey
January 10, 1923 in Belgrade, Serbia, Yugoslavia [now Serbia]
Albert Finney
9 May 1936, Salford, Greater Manchester, England, UK
Moustache
14 February 1929, Paris, France
Jacques Hilling
22 May 1926, Randwick, Australia
Roger Dann
May 16, 1911 in Montmorency, Seine-et-Oise, France
Libby Morris
1930, Winnipeg, Manitoba, Canada
Dominique Joos
Albert Michel
October 3, 1909 in Nancy, Meurthe-et-Moselle, France
Claude Dauphin
19 August 1903, Corbeil-Essonnes, Essonne, France
Judy Cornwell
22 February 1940, Hammersmith, London, England, UK
Director:
Stanley Donen
Stanley Donen
13 April 1924, Columbia, South Carolina, USA
Country:
United States
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January 28, 2015
Hepburn, shedding her established persona with glee, is particularly great, while Frederic Raphael's acerbic screenplay has touches of material he'd explore decades later with Eyes Wide Shut.
AboutFilm.com
November 26, 2003
One of the best movies about relationships ever. Outstanding performances.
Mountain Xpress (Asheville, NC)
August 14, 2003
Superb character study.
August 30, 2012
The picture never quite finds its tone.
Atlantic City Weekly
January 11, 2007
A benchmark of marital dischord with luminous Hepburn, cheeky Finney
January 23, 2015
With Two for the Road... Donen took a romantic comedy and deconstructed it, using the nonlinear structure and jump cuts that were being popularised at the time by the French new wave.
November 11, 2005
Despite its visual trickery, it's one of the most emotionally honest films ever made in America.