Due to a high volume of active users and service overload, we had to decrease the quality of video streaming. Premium users remains with the highest video quality available. Sorry for the inconvinience it may cause. Donate to keep project running.
We are currently experiencing technical difficulties with our servers. We hope to have this resolved soon. This issue doesn't affect premium users.
Get Premium
Watch on MixDrop/MyStream
Oops...
Something went wrong
Try again later.
Something went wrong
Try again later.
Here You can choose a playback server.
The Wrestler
Description
The wrestler's story revolves around the story of an elderly wrestler trying to spend his day between living on memories of the past and trying to repair the present was the star of the wrestler in the past and the effects of stardom still chasing him in his signature to the public on their shirts and videos for his old but that was never replaced by His broken relationship with his only daughter and his numerous attempts to return water to her sewer suddenly finds himself facing a new challenge that could bring him back to the ring to fight against his arch enemy.
The wrestler's story revolves around the story of an elderly wrestler trying to spend his day between living on memories of the past and trying to repair the present was the star of the wrestler in the past and the effects of stardom still chasing him in his signature to the public on their shirts and videos for his old but that was never replaced by His broken relationship with his only daughter and his numerous attempts to return water to her sewer suddenly finds himself facing a new challenge that could bring him back to the ring to fight against his arch enemy.
Actors:
Willy Rosner,
Paul Thornton,
Mike Miller,
E.J. Carroll,
Donnetta Lavinia Grays,
Rafaela Ochoa,
Marisa Tomei,
Vale Anoai,
Joe Huu,
Scott Siegel,
Rob Strauss,
...»
Willy Rosner
Paul Thornton
21 March 1939, New York City, New York, USA
Mike Miller
E.J. Carroll
21 May 1965
Donnetta Lavinia Grays
21 October 1977, Panama City, Panama
Rafaela Ochoa
Marisa Tomei
4 December 1964, Brooklyn, New York City, New York, USA
Vale Anoai
2 May 1985, Staten Island, New York, USA
Joe Huu
12 April 1981, Vietnam
Scott Siegel
Rob Strauss
1 October 1983, Alpine, New Jersey, USA
Director:
Darren Aronofsky
Darren Aronofsky
12 February 1969, Brooklyn, New York City, New York, USA
Country:
United States, France
COMMENTS (0)
Sort by
Newest
Newest
Oldest
YOU MAY ALSO LIKE
February 20, 2014
Darren Aronofsky's filmmaking in The Wrestler is the most subtle and nuanced he's ever done.January 16, 2009
Predictable as it is, this sad, strong beast of a film keeps us pinned to the mat with the strength of its compassion and the overpowering force of its central performance.June 22, 2013
The movie is populated with real wrestlers, and it makes sure to nail all the little details.
Denver Post
January 09, 2009
The Wrestler has the intimacy of a fly-on-the-wall documentary. No stunt men were harmed -- or used -- in the fight sequences. But the drama makes for vibrant art.October 21, 2014
As the film points out, wrestling may be fixed, but it certainly ain't fake. This may be a film, but it certainly ain't fake either.March 21, 2017
Great performances, great story.January 16, 2009
It's a wonderful, career-reviving performance, and you can't imagine the movie without him. Welcome back, Mickey.January 14, 2009
The chance to play that poignant confusion is the real prize that Rourke and Tomei earn in The Wrestler.October 07, 2015
The most interesting aspect of the film is its depiction of the irreconcilable difference between someone's public and private personae.January 16, 2009
Aronofsky directs with unfussy candour, alternating between the intensity of the wrestling and the drabness of Randy's 'real' life.May 17, 2016
A quarter-century (and, one senses, a lot longer in Rourke Years) since he pulled the popcorn-bag trick on Carol Heathrow and then talked his way back into her good graces, we'll still forgive Mickey Rourke anything.January 09, 2009
The movie presses too hard and too often, but the performances are strong enough to withstand the melodramatic impulses, and the themes of isolation and self-destructiveness are too sharply realized to be trivialized.