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The Tales of Hoffmann
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The Tales of Hoffmann

Description
The film tells three romantic love stories of Hoffmann with three of his woman in the past, Olympia, Giulietta, and Antonia. Although Hoffmann gradually lost each of the woman, however, he gained poetic inspiration as a result, allowing him to transform painful experiences into art.
Actors: Philip Leaver,
Philip Leaver
Philip Leaver 11 July 1904, Kensington, London, England, UK
Ludmilla Tchérina,
Ludmilla Tchérina
Ludmilla Tchérina 10 October 1924, Paris, France
Barry Lowe,
Barry Lowe
Barry Lowe 1925, Southport, Lancashire, England, UK
Alan Carter,
Alan Carter
Alan Carter 24 December 1920, London, England, UK
Meinhart Maur,
Meinhart Maur
Meinhart Maur 18 August 1884, HajdĂșnĂĄnĂĄs, Hungary
Robert Helpmann,
Robert Helpmann
Robert Helpmann 9 April 1909, Mount Gambier, South Australia, Australia
Lionel Harris,
Lionel Harris
Lionel Harris
Frederick Ashton,
Frederick Ashton
Frederick Ashton 17 September 1904, Guayaquil, Ecuador
Moira Shearer,
Moira Shearer
Moira Shearer 17 January 1926, Dunfermline, Fife, Scotland, UK
Pamela Brown,
Pamela Brown
Pamela Brown 8 July 1917, London, England, UK
Arthur Skinner,
Arthur Skinner
Arthur Skinner 29 October 1923, Ashwell, Hertfordshire, England, UK
...»
Genre: MusicalFantasy
Director: Emeric Pressburger ,
Emeric Pressburger
Emeric Pressburger 5 December 1902, Miskolc, Austria-Hungary [now Hungary]
Michael Powell
Michael Powell
Michael Powell 30 September 1905, Bekesbourne, Kent, England, UK
Country: United States
Release: 1951
IMDb: 7.10
Quality:
Duration: 133 min
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The Tales of Hoffmann
CRITICS OF "The Tales of Hoffmann"
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Radio Times
Resource

February 26, 2015

Only the slightly muddled structure detracts from what is otherwise an audacious cinematic experiment.
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Chicago Tribune
Resource

April 16, 2015

The film will never rank among my favorites in the careers of these filmmakers, but filmmaking legends as diverse as Cecil B. DeMille, Martin Scorsese and George A. Romero all adore it ...
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Guardian
Resource

February 26, 2015

You might compare this to the 1948 Powell and Pressburger film The Red Shoes, though in many ways it is even more hallucinatory.
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Chicago Reader
Resource

November 26, 2012

Hard to take, despite the clear personal commitment of director Michael Powell and the enormous amount of talent on display in the photography, set design, and choreography.
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Times (UK)
Resource

February 27, 2015

It's a work of hysterical excess and flamboyant extravagance and it feels unlike pretty much anything else you will ever see in a cinema.
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Monthly Film Bulletin
Resource

December 12, 2015

The obvious care and effort that have gone into Hoffmann, the sometimes memorably contrived passages of virtuosity in the first half, make one reluctant to insist on the collapse of the work as a whole.
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Seattle Times
Resource

April 23, 2015

Most if not all of these performers have since died; here, they live on.
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Time Out
Resource

February 23, 2015

As a work of pure, imaginative cinema, it comes close to genius.
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Observer (UK)
Resource

March 01, 2015

Encore!
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Los Angeles Times
Resource

March 12, 2015

"Hoffmann" is an immersive aesthetic experience best thought of as an art form all its own.
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Movie Dearest
Resource

March 13, 2015

A gorgeous (2015) digital restoration. A fun, wittily directed and technically impressive achievement.
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AV Club
Resource

November 26, 2012

One of the most completely realized marriages of color, movement, and music in the medium's history.
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