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The Taking of Pelham 123
Description
In Manhattan after noon, four armed criminals haves hijacked a subway, the thing that makes passengers' lives in danger, under the leadership of Ryder, a dangerous criminal who demands a huge sum of money about 10 million dollars, the thing that makes the police struggle against saving the lives of passengers and catch those criminals.
In Manhattan after noon, four armed criminals haves hijacked a subway, the thing that makes passengers' lives in danger, under the leadership of Ryder, a dangerous criminal who demands a huge sum of money about 10 million dollars, the thing that makes the police struggle against saving the lives of passengers and catch those criminals.
Actors:
Mike Houston,
Peter Gordon Uliano,
Alex Kaluzhsky,
Frank Wood,
Aunjanue Ellis,
Nick Sakai,
John Travolta,
Glen Tortorella,
Christopher Moser,
Gary Basaraba,
Robert Perry,
...»
Mike Houston
23 February 1976, Denver, Colorado, USA
Peter Gordon Uliano
Alex Kaluzhsky
16 August 1984, Odessa, Ukrainian SSR, USSR [now Ukraine]
Frank Wood
1960, USA
Aunjanue Ellis
21 February 1969, San Francisco, California, USA
Nick Sakai
John Travolta
18 February 1954, Englewood, New Jersey, USA
Glen Tortorella
Christopher Moser
Gary Basaraba
16 March 1959, Edmonton, Alberta, Canada
Robert Perry
Director:
Tony Scott
Tony Scott
21 June 1944, North Shields, Northumberland, England, UK
Country:
United States
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June 15, 2009
Can a director be arrested for the attempted hijack of our emotions?
May 15, 2012
A professionally mounted genre exercise which tries to please both thriller and social drama crowds, and suffers mightily as a result.
February 11, 2012
You're so busy enjoying the sound and picture quality that you're inclined to forgive the film's missteps.
July 31, 2009
'The Taking of Pelham 123' is not a bad film: it's ponderous and shallow, but always watchable. But what it crucially fails to do, especially in the light of its illustrious predecessor, is justify its own existence.
June 12, 2009
Whereas the original, directed by Joseph Sargent, was essentially a well-oiled B movie, the new incarnation, directed by Tony Scott, is bristling with high-tech gimcrackery and over-the-top camera flourishes.
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This sort of thing by design devolves into two guys talking on a phone, which if it's got any chance of working requires strong actors to bring their characters to life. Which is probably where Taking of Pelham 1 2 3 succeeds best.
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