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The Robe
Description
Marcellus Gallio is a madarin who always indulges in gambling. After taking a Gie-su’s coat after he is hammered. He is tortured by this thing. He hopes to find a way to live with what he can do. Anh his life changes forever. Â
Marcellus Gallio is a madarin who always indulges in gambling. After taking a Gie-su’s coat after he is hammered. He is tortured by this thing. He hopes to find a way to live with what he can do. Anh his life changes forever. Â
Actors:
Frank DeKova,
Ernest Thesiger,
John Doucette,
John Barton,
Jean Simmons,
Helen Beverley,
Sally Yarnell,
Ben Astar,
Virginia Lee,
Bud Cokes,
Emmett Lynn,
...»
Frank DeKova
17 March 1910, New York City, New York, USA
Ernest Thesiger
15 January 1879, Chelsea, London, England, UK
John Doucette
21 January 1921, Brockton, Massachusetts, USA
John Barton
12 October 1898, Cincinnati, Ohio, USA
Jean Simmons
31 January 1929, Crouch Hill, London, England, UK
Helen Beverley
November 9, 1916 in Boston, Massachusetts, USA
Sally Yarnell
29 April 1915, Canastota, New York, USA
Ben Astar
June 15, 1909 in Palestine [now Israel]
Virginia Lee
July 23, 1924 in Roseville, Michigan, USA
Bud Cokes
26 September 1916, San Bernardino, California, USA
Emmett Lynn
February 14, 1897 in Muscatine, Iowa, USA
Director:
Henry Koster
Henry Koster
1 May 1905, Berlin, Germany
Country:
United States
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March 20, 2009
Had it not been the first film shot in CinemaScope, very few people would probably still be talking about The Robe.
January 11, 2008
Pious claptrap.
January 11, 2008
Stick with The Ten Commandments, or try watching Fellini Satyricon instead.
January 30, 2012
Overblown melodramatic biblical nonsense.
Filmcritic.com
March 23, 2009
hackneyed Golden Age hokum
January 30, 2012
Everything, including performances, is turned up to eleven, and what it lacks in finesse it more than makes up for in sheer spectacle.
January 11, 2008
The performances are consistently good.
February 09, 2006
Turgid direction, probably not helped by a necessarily cautious approach to framing, is married to creaky dialogue and stiff performances to render this of purely historical interest.
April 02, 2009
Insufferably wooden.
New York Times
March 25, 2006
Tthe mightiness of masses and the forms of heroes have never loomed so large as they do in this studied demonstration, projected by CinemaScope. But an unwavering force of personal drama is missed in the size and the length of the show.
July 19, 2010
Important historically as the first CinemaScope feature film.
July 05, 2014
It's hard to actively hate anything as deeply earnest as The Robe, but it is a long, tough sit.