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The Grey Zone
Description
Based on actual events, the film tells gripping true story of a group of Jewish prisoners who conspire to destroy the crematoriums at Auschwitz, all the while appearing to be Nazi collaborators.
Based on actual events, the film tells gripping true story of a group of Jewish prisoners who conspire to destroy the crematoriums at Auschwitz, all the while appearing to be Nazi collaborators.
Actors:
Portia Reiners,
Henry Stram,
Donka Avramova,
Velizar Binev,
Marianne Stanicheva,
Natasha Lyonne,
Velimir Velev,
Shirly Brener,
Simeon Vladov,
Jessica Hecht,
Kamelia Grigorova,
...»
Portia Reiners
8 March 1990
Henry Stram
10 September 1954, Lafayette, Indiana, USA
Donka Avramova
Velizar Binev
8 March 1967, Sofia, Bulgaria
Marianne Stanicheva
Natasha Lyonne
4 April 1979, New York City, New York, USA
Velimir Velev
Shirly Brener
24 September 1974, Haifa, Israel
Simeon Vladov
Jessica Hecht
28 June 1965, Princeton, New Jersey, USA
Kamelia Grigorova
Director:
Tim Blake Nelson
Tim Blake Nelson
11 May 1964, Tulsa, Oklahoma, USA
Country:
United States
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June 19, 2003
They are dark, thoroughly uncompromising works of a filmmaker completely fearless to take an audience into dank recesses of the human condition.
Denver Rocky Mountain News
November 08, 2002
The Grey Zone isn't for everyone, but its riveting power constitutes a stunning (as in it leaves you shattered and shaken) achievement.
Creative Loafing
May 13, 2003
Roman Polanski's The Pianist may have been showered with Oscar glory ... but the best Holocaust film of 2002 was actually The Grey Zone.
October 25, 2002
Although the movie takes us further into the actual process of industrial death at Auschwitz than any American movie has yet dared, The Grey Zone never stoops to sensation or melodrama.
Cinema em Cena
July 25, 2003
Filme trágico, complexo, difĂcil - e que pode ser assistido em sessĂŁo dupla com O Pianista.
April 29, 2009
This is a masterpiece and yet another chapter of the dark period called: "The Holocaust."
Houston Chronicle
November 15, 2002
Even in its darkest moments, a heartening defiance underlies gut-wrenching calamity.
Atlanta Journal-Constitution
November 07, 2002
Like the Ancient Mariner, Nelson grabs us by the collar and says, You must know about this. You must bear witness. And so you do.
June 21, 2007
It unsuccessfully tries to bridge the gap between pathos and establishing a sense of realism, coming across as forced. Overweight prisoners and Harvey Keitel's German accent distract from the mood of the film.
Philadelphia Inquirer
November 07, 2002
[Nelson's] movie about morally compromised figures leaves viewers feeling compromised, unable to find their way out of the fog and the ashes.
January 02, 2009
So many incredibly raw, wrenching--and, crucially, unsparingly unsentimental--scenes and moments that it's impossible to not be haunted by the film.
Washington Post
October 25, 2002
Jagged, unrelenting, claustrophobically intimate.