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The Doom Generation
Description
Teens Jordan White and Amy Blue pick up a handsome drifter named Xavier Re. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Teens Jordan White and Amy Blue pick up a handsome drifter named Xavier Re. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Actors:
Johanna Went,
Bullet,
Rose McGowan,
Paul D. Fow,
Heidi Fleiss,
Parker Posey,
Zak Spears,
Perry Farrell,
Dewey Weber,
Dustin Nguyen,
Nicky Katt,
...»
Johanna Went
1 March 1949, West Hollywood, California, USA
Bullet
Rose McGowan
5 September 1973, Florence, Tuscany, Italy
Paul D. Fow
14 August 1966, Mt. Clemens, Michigan, USA
Heidi Fleiss
30 December 1965, Los Feliz, California, USA
Parker Posey
8 November 1968, Baltimore, Maryland, USA
Zak Spears
15 January 1965, Chicago, Illinois, USA
Perry Farrell
29 March 1959, Queens, New York, USA
Dewey Weber
30 December 1971, San Francisco, California, USA
Dustin Nguyen
17 September 1962, Saigon, South Vietnam [now Ho Chi Minh City, Vietnam]
Nicky Katt
11 May 1970, South Dakota, USA
Director:
Gregg Araki
Gregg Araki
17 December 1959, Los Angeles, California, USA
Country:
United States
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January 01, 2000
I'd step on a thumbtack before watching it again.
March 26, 2009
A nihilistic comedy about a trio of alienated youngsters, pic is bold not only in its art design, but also in its narrative and tone, a mixture of satire and horror with heavy dosage of steamy sex and macabre violence.
Filmcritic.com
January 01, 2000
Hands-down one of the most horrid examples of filmmaking I've seen in ages.
Rolling Stone
May 12, 2001
It's a savagely funny ride fueled by Araki's insight and blunt compassion.
About.com
July 14, 2003
Potentially clever, but ultimately the raw violence isn't creative and therefore is offensive.
January 14, 2011
For the terminally hip and/or terminally adolescent.
January 14, 2011
Striking to look at, though often offensively opportunistic, this mainly comes across as a throwaway shocker with energy to spare. There's not much thought in evidence though.
January 26, 2006
Imagine Natural Born Killers with a sense of humour.
Moviehole
March 11, 2005
A cult classic.....steamy hot, wicked funny
Variety
June 20, 2006
Inspired by Godard's classic Band Apart, Araki's fifth feature is his most audacious and most technically accomplished film to date, reflecting the larger than usual budget and gained experience.
December 20, 2005
Self-consciously strives for transgressive nihilism without ever recognizing the sheer absurdity of its every component.
New York Times
May 20, 2003
Sledgehammer direction, heavy irony and the easiest imaginable targets hardly show talent off to good advantage.