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The Congress
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The Congress

Description
An aging actress (Robin Wright) agrees to preserve her digital likeness for a studio to use in any future films it likes, though the consequences of her decision affect her in ways she didn't consider.
Actors: Christopher B. Duncan,
Christopher B. Duncan
Christopher B. Duncan
Jill Maddrell,
Jill Maddrell
Jill Maddrell
Harvey Keitel,
Harvey Keitel
Harvey Keitel 13 May 1939, Brooklyn, New York, USA
Matthew Wolf,
Matthew Wolf
Matthew Wolf 31 October 1972, London, England, UK
Sarah Shahi,
Sarah Shahi
Sarah Shahi 10 January 1980, Euless, Texas, USA
Michael Landes,
Michael Landes
Michael Landes 18 September 1972, Bronx, New York, USA
August Wittgenstein,
August Wittgenstein
August Wittgenstein 22 January 1981, Siegen, North Rhine-Westphalia, Germany
Evan Ferrante,
Evan Ferrante
Evan Ferrante 6 May 1979, Armonk, New York, USA
Kevin Thompson,
Kevin Thompson
Kevin Thompson
Danny Huston,
Danny Huston
Danny Huston 14 May 1962, Rome, Lazio, Italy
Ed Corbin,
Ed Corbin
Ed Corbin
...»
Genre: Sci-FiDramaAnimation
Director: Ari Folman
Ari Folman
Ari Folman 17 December 1962, Haifa, Israel
Release: 2013
IMDb: 6.5
Quality:
Duration: 122 min
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The Congress
CRITICS OF "The Congress"
Movies123
New York Times
Resource

September 04, 2014

An acquired taste, this dense Jabberwocky-ish word salad is a political allegory about a populace that's been pharmaceutically duped into believing its wretched world is wonderful.
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Time Out
Resource

September 02, 2014

It's like Folman took several different genres-Hollywood satire, speculative dystopian fiction, family melodrama-and fused them into something amorphous and nebulous.
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Ozus' World Movie Reviews
Resource

December 10, 2014

Weird sci-fi film that mixes together animation with live action.
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Flicks.co.nz
Resource

March 10, 2017

It flits between hallucinatory animation and 'reality', giving small moments of relief and attempting to anchor the story in a desolate Los Angeles.
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New Yorker
Resource

September 05, 2014

The anger drains out of the picture, and we watch in a state of passive appreciation and indifference.
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New York Post
Resource

September 03, 2014

A dystopian blend of live-action and animation that acidly comments on some of Hollywood's touchiest issues before drifting off into an existential fog.
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The Sunday Age
Resource

December 10, 2014

Folman makes one phantasmagorical leap after another, adding a live-action coda, but the visual freedom doesn't expand the story, it abandons it.
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Boston Globe
Resource

September 04, 2014

A half-live-action, half-animated headtrip that throws Robin Wright into a dizzying showbiz paradigm shift.
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TheShiznit.co.uk
Resource

July 11, 2016

Ari Folman's follow up to the impressive Waltz With Bashir is bold, daringly different and visually arresting, but it's also a bit too much.
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New York Daily News
Resource

September 03, 2014

It's almost painful to watch the immense promise of "The Congress," Ari Folman's spectacularly ambitious experiment, dissipate into nothing.
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