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McLaren
Description
The story of Bruce McLaren, the New Zealander who founded the McLaren Motor Racing team. A man who showed the world that a man of humble beginnings could take on the elite of motor racing and win.
The story of Bruce McLaren, the New Zealander who founded the McLaren Motor Racing team. A man who showed the world that a man of humble beginnings could take on the elite of motor racing and win.
Actors:
Joel Tobeck,
Alastair Caldwell,
Chris Amon,
Jackie Stewart,
Jack Brabham,
Mario Andretti,
Matt Coldrick,
Dan Gurney,
Dwayne Cameron,
Howden Ganley,
Emerson Fittipaldi
...»
Joel Tobeck
2 June 1971, Auckland, New Zealand
Alastair Caldwell
Chris Amon
Jackie Stewart
11 June 1939, Milton, Dumbartonshire, Scotland, UK
Jack Brabham
Mario Andretti
28 February 1940, Montona, Istria, Italy [now Motovun, Istria, Croatia]
Matt Coldrick
Dan Gurney
Dwayne Cameron
28 October 1981, Auckland, New Zealand
Howden Ganley
Emerson Fittipaldi
12 December 1946, SĂŁo Paulo, Brazil
Genre:
Drama, Action, Documentary
Director:
Roger Donaldson
Roger Donaldson
15 November 1945, Ballarat, Australia
Country:
New Zealand
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May 26, 2017
Donaldson's film captures this lost era of motor racing through a rich selection of archive and home movie footage, though some newly reconstructed scenes and animations would have been better avoided.
May 18, 2017
A paper-thin portrait of the racing car driver and designer Bruce McLaren, it is constructed with all the verve and passionate inquiry of a press release.
May 18, 2017
McLaren is not exactly Senna and certainly not Rush.
June 02, 2017
McLaren stands as more a celebration than sombre eulogy ... and should hold differing types of appeal to various generations.
May 24, 2017
Taking a leaf out of Asif Kapadia's award winning documentary Senna (2010), Donaldson offers a comprehensive account of the highs and lows in the man's short, yet fruitful career.
May 25, 2017
An earnest but one-note portrait of a racing legend that never quite gets up to speed.
May 21, 2017
The talking heads are framed by captions that at times make the film look like a classy PowerPoint presentation, but its mix of lovely, fuzzy archive footage and pretty reconstructions makes it feel like a kind of docufiction.