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La Haine [Sub: Eng]
Description
When a young Arab is arrested and beaten unconscious by police, a riot erupts in the notoriously violent suburbs outside of Paris. The film follows 24 hours in the lives of three young men in the French suburbs the day after.
When a young Arab is arrested and beaten unconscious by police, a riot erupts in the notoriously violent suburbs outside of Paris. The film follows 24 hours in the lives of three young men in the French suburbs the day after.
Actors:
Teddy Marques,
Choukri Gabteni,
Tadek Lokcinski,
Christian Moro,
Hubert Koundé,
Félicité Wouassi,
Abdel-Moulah Boujdouni,
Karin Viard,
Cyril Ancelin,
Médard Niang,
Edouard Montoute,
...»
Teddy Marques
Choukri Gabteni
Tadek Lokcinski
Christian Moro
Hubert Koundé
30 December 1970
Félicité Wouassi
7 May 1961, Yaoundé, Cameroon
Abdel-Moulah Boujdouni
Karin Viard
24 January 1966, Rouen, Seine-Maritime, France
Cyril Ancelin
Médard Niang
Edouard Montoute
20 December 1970, Cayenne, French Guyana, France
Director:
Mathieu Kassovitz
Mathieu Kassovitz
3 August 1967, Paris, France
Country:
France
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January 01, 2000
Hate is, I suppose, a Generation X film, whatever that means, but more mature and insightful than the American Gen X movies.
ColeSmithey.com
August 03, 2007
An inspired achievement from Mathieu Kassovitz.
January 01, 2000
All the performances are excellent, especially Cassel...
May 08, 2007
to get an inside view of the situation, there simply is no better source than Kassovitz's disturbing urban study
USA Today
January 01, 2000
Writer-director Mathieu Kassovitz mines so much tension and pointed dialogue from a low budget and deceptively simple premise that you wonder why so much of current Hollywood's own social realism ends up shooting $50 million blanks.
December 28, 2013
La Haine does not provide an easy answer. So you have to struggle intellectually for yourself.
August 01, 2003
...powerful...
September 08, 2014
Mathieu Kassovitz's gritty, documentary-like second film is a powerful comment on class and racial disparity.
August 19, 2004
One of the most blisteringly effective pieces of urban cinema ever made
August 21, 2012
The conveniently manufactured ending is a let-down, but the display of raw emotion and kinetic energy lingers with the viewer long after the film is over.

