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Description
It is a story about a prostitute woman that called Bree Daniel. Although she is a prostitute, but she is a confident woman and powerful. Bree is doesn't take notice of the opinions but she still strong and not shamed of what she did for reach her dream and get the money.
It is a story about a prostitute woman that called Bree Daniel. Although she is a prostitute, but she is a confident woman and powerful. Bree is doesn't take notice of the opinions but she still strong and not shamed of what she did for reach her dream and get the money.
Actors:
Betty Murray,
Mary Louise Wilson,
Donald Sutherland,
Jean Stapleton,
Fred Burrell,
Kevin Dobson,
Robert Milli,
Rosalind Cash,
Richard Russell Ramos,
Jane White,
Marc Malvin,
...»
Betty Murray
Mary Louise Wilson
12 November 1931, New Haven, Connecticut, USA
Donald Sutherland
17 July 1935, Saint John, New Brunswick, Canada
Jean Stapleton
19 January 1923, Manhattan, New York City, New York, USA
Fred Burrell
18 September 1936, Cedar Rapids, Iowa, USA
Kevin Dobson
18 March 1943, New York City, New York, USA
Robert Milli
15 March 1933, Brooklyn, New York, USA
Rosalind Cash
31 December 1938, Atlantic City, New Jersey, USA
Richard Russell Ramos
23 August 1941, Seattle, Washington, USA
Jane White
30 October 1922, Harlem, Manhattan, New York City, New York, USA
Marc Malvin
Director:
Alan J. Pakula
Alan J. Pakula
7 April 1928, The Bronx, New York City, New York, USA
Country:
United States
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Kansas City Kansan
October 15, 2004
Fonda and Sutherland sizzle. A great story too.
August 30, 2009
[Fonda] makes all the right choices, from the mechanics of her walk and her voice inflection to the penetration of the girl's raging psyche. It is a rare performance.
Shadows on the Wall
June 12, 2004
A knock-out
January 03, 2011
Playing a complex, sharpy written part, Jane Fonda won the Best Actress Oscar for her strongest dramatic performance in Alan Pakula's well mounted drmataic thriller
Nolan's Pop Culture Review
April 22, 2005
Fonda won an Oscar. Roy Scheider is her nasty pimp!
September 15, 2009
One of the most important and influential movies of the early 1970s.
November 24, 2015
A movie resolutely of its moment that still surges with third-rail electricity ...
October 23, 2004
With Fonda and Sutherland, you have actors who understand and sympathize with their characters, and you have a vehicle worthy of that sort of intelligence. So the fact that the thriller stuff doesn't always work isn't so important.
August 30, 2009
Fonda is simply a revelation, beautiful, sassy and streetwise, and yet hauntingly vulnerable. She deserved her Oscar in a role she has never bettered.
February 09, 2006
For once, a genuinely psychological thriller.
August 30, 2009
Sutherland is either an excellent sounding board for this nuanced portrait or he's a big zero, probably both. Fonda, however, transcends her limitations, making the most of her often forced quality as an actress.
New York Times
May 21, 2003
Pakula, when he is not indulging in subjective camera, strives to give his film the look of structural geometry, but despite the sharp edges and dramatic spaces and cinema presence out of Citizen Kane, it all suggests a tepid, rather tasteless mush.

