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King Charles III
Description
Prince Charles' accession to the throne following the Queen's death. When he refuses to sign a controversial bill into law, political chaos ensues: a constitutional crisis, rioting on the streets and a tank in front of Buckingham Palace.
Prince Charles' accession to the throne following the Queen's death. When he refuses to sign a controversial bill into law, political chaos ensues: a constitutional crisis, rioting on the streets and a tank in front of Buckingham Palace.
Actors:
Nyasha Hatendi,
Chris Abe,
Oliver Chris,
Neil Broome,
Tom Mothersdale,
Craig Thomas Lambert,
Ian Redford,
Nigel Black,
Phil Hamer,
John Shrapnel,
Antony Barlow,
...»
Nyasha Hatendi
14 September 1981, Washington, District of Columbia, USA
Chris Abe
Oliver Chris
7 November 1978, Tunbridge Wells, Kent, England, UK
Neil Broome
Tom Mothersdale
Craig Thomas Lambert
Ian Redford
1951, Carshalton, Surrey, England, UK
Nigel Black
24 May 1961, Wakefield, West Yorkshire, England, UK
Phil Hamer
John Shrapnel
27 April 1942, Birmingham, England, UK
Antony Barlow
Director:
Rupert Goold
Rupert Goold
1972, Highgate, London, England, UK
Country:
United Kingdom
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May 11, 2017
The movie, like the Broadway show, is performed as a Shakespearean history play. The dialogue is spoken in verse, the scenes are rapid and punchy, and the actors are top-notch.
May 11, 2017
Perhaps this majestic, unmissable drama will send new audiences back to the source for meaningful encounters with Lear, Lady M, Brutus, Prince Hal and other forebears.
May 11, 2017
The late, brilliant Tim Pigott-Smith is mesmerising as Charles. It's not an impression, thankfully, nor was the actor made up to look like him (that would have been tiresome), but an interpretation of character.
May 15, 2017
If King Charles III never quite escapes its ruling conceit, it nevertheless makes for a pleasurable experience.
May 12, 2017
It all feels a bit unfair to the real-life counterparts. And then King Charles III makes a fascinating pivot.
May 15, 2017
By turns bouncy, melancholy, arrogant and sore betrayed, the face little resembles that of Charles but, somehow, within its planes, there is conveyed the selfsame sense of insane privilege, niggling grievance and open, misunderstood humanity.
May 08, 2017
Bartlett's use of blank verse, with the occasional exquisitely composed soliloquy, is also a masterstroke, injecting the drama with depth and humour through tantalising nods to Hamlet, King Lear, Macbeth and Henry IV.
May 11, 2017
A perfect 90 minutes of television.