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High Noon
Description
Former marshal Will Kane is preparing to leave with his new bride, Amy, when he learns that local criminal, his deadly enemy, has been set free, is coming to seek revenge and his own town refuses to help him.
Former marshal Will Kane is preparing to leave with his new bride, Amy, when he learns that local criminal, his deadly enemy, has been set free, is coming to seek revenge and his own town refuses to help him.
Actors:
Tim Graham,
Morgan Farley,
Harry Harvey,
George Bell,
Thomas Mitchell,
Robert Carson,
Lee Aaker,
Syd Saylor,
Paul Dubov,
Slim Talbot,
Kansas Moehring,
...»
Tim Graham
24 February 1904, Kansas, USA
Morgan Farley
3 October 1898, Mamaroneck, New York, USA
Harry Harvey
10 January 1901, Indian Territory, USA [now Oklahoma, USA]
George Bell
9 October 1898, Amarillo, Texas, USA
Thomas Mitchell
11 July 1892, Elizabeth, New Jersey, USA
Robert Carson
8 June 1909, Carman, Manitoba, Canada
Lee Aaker
September 25, 1943 in Inglewood, California, USA
Syd Saylor
24 March 1895, Chicago, Illinois, USA
Paul Dubov
10 October 1918, Chicago, Illinois, USA
Slim Talbot
August 9, 1895 in Hamilton, Illinois, USA
Kansas Moehring
July 9, 1897 in St. Marys, Ohio, USA
Director:
Fred Zinnemann
Fred Zinnemann
29 April 1907, RzeszĂłw, Galicia, Austria-Hungary
Country:
United States
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July 26, 2011
Deserving of its label as a true classic, and essential viewing.
October 18, 2008
Zinnemann carefully and deliberately makes the most of the mood cast by the threat of impending violence.
Washington Post
May 30, 2003
Regarded as '50s melodrama, it's nearly perfect.
July 26, 2011
File under 'classic'.
February 22, 2017
High Noon reflected the heightened fear of the Soviets in the '50s, now similar to the xenophobia that has been raised and further inflamed by our political leaders.
July 26, 2011
High Noon combines its points about good citizenship with some excellent picturemaking.
February 09, 2006
High Noon won a fistful of Oscars, but in these days of pasteboard screen machismo, it's worth seeing simply as the anatomy of what it took to make a man before the myth turned sour.
August 22, 2012
High Noon isn't really a masterpiece, and if you're a fan of more honest Westerns, it's hard not to notice Zinnemann's general lack of interest throughout. But it is a tense, effective little film.
September 04, 2007
Some of the results ring false, but the memorable theme song and some equally memorable character acting (by Thomas Mitchell and Lon Chaney Jr. more than Lloyd Bridges and Katy Jurado) help things along.
January 03, 2016
Deserving of its classic western status... although for a movie predicated on its titular twelve o'clock showdown, the gunfight itself is oddly anticlimactic.
Village Voice
April 27, 2004
More than a half-century later, Foreman was right after all: High Noon is a scorching and sour portrait of American complacence and capacity for collaborationism.