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High Noon
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High Noon

Description
Former marshal Will Kane is preparing to leave with his new bride, Amy, when he learns that local criminal, his deadly enemy, has been set free, is coming to seek revenge and his own town refuses to help him.
Actors: Tim Graham,
Tim Graham
Tim Graham 24 February 1904, Kansas, USA
Morgan Farley,
Morgan Farley
Morgan Farley 3 October 1898, Mamaroneck, New York, USA
Harry Harvey,
Harry Harvey
Harry Harvey 10 January 1901, Indian Territory, USA [now Oklahoma, USA]
George Bell,
George Bell
George Bell 9 October 1898, Amarillo, Texas, USA
Thomas Mitchell,
Thomas Mitchell
Thomas Mitchell 11 July 1892, Elizabeth, New Jersey, USA
Robert Carson,
Robert Carson
Robert Carson 8 June 1909, Carman, Manitoba, Canada
Lee Aaker,
Lee Aaker
Lee Aaker September 25, 1943 in Inglewood, California, USA
Syd Saylor,
Syd Saylor
Syd Saylor 24 March 1895, Chicago, Illinois, USA
Paul Dubov,
Paul Dubov
Paul Dubov 10 October 1918, Chicago, Illinois, USA
Slim Talbot,
Slim Talbot
Slim Talbot August 9, 1895 in Hamilton, Illinois, USA
Kansas Moehring,
Kansas Moehring
Kansas Moehring July 9, 1897 in St. Marys, Ohio, USA
...»
Genre: DramaAdventure
Director: Fred Zinnemann
Fred Zinnemann
Fred Zinnemann 29 April 1907, Rzeszów, Galicia, Austria-Hungary
Country: United States
Release: 1952
IMDb: 7.9
Quality:
Duration: 85 min
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High Noon
CRITICS OF "High Noon"
Movies123
Empire Magazine
Resource

July 26, 2011

Deserving of its label as a true classic, and essential viewing.
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Variety
Resource

October 18, 2008

Zinnemann carefully and deliberately makes the most of the mood cast by the threat of impending violence.
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Washington Post

May 30, 2003

Regarded as '50s melodrama, it's nearly perfect.
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Film4
Resource

July 26, 2011

File under 'classic'.
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Film Inquiry
Resource

February 22, 2017

High Noon reflected the heightened fear of the Soviets in the '50s, now similar to the xenophobia that has been raised and further inflamed by our political leaders.
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TIME Magazine
Resource

July 26, 2011

High Noon combines its points about good citizenship with some excellent picturemaking.
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Time Out
Resource

February 09, 2006

High Noon won a fistful of Oscars, but in these days of pasteboard screen machismo, it's worth seeing simply as the anatomy of what it took to make a man before the myth turned sour.
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Combustible Celluloid
Resource

August 22, 2012

High Noon isn't really a masterpiece, and if you're a fan of more honest Westerns, it's hard not to notice Zinnemann's general lack of interest throughout. But it is a tense, effective little film.
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Chicago Reader
Resource

September 04, 2007

Some of the results ring false, but the memorable theme song and some equally memorable character acting (by Thomas Mitchell and Lon Chaney Jr. more than Lloyd Bridges and Katy Jurado) help things along.
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rec.arts.movies.reviews
Resource

January 03, 2016

Deserving of its classic western status... although for a movie predicated on its titular twelve o'clock showdown, the gunfight itself is oddly anticlimactic.
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Village Voice

April 27, 2004

More than a half-century later, Foreman was right after all: High Noon is a scorching and sour portrait of American complacence and capacity for collaborationism.
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