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Give My Regards to Broad Street
Description
The movie centres on a chaotic day in rock star Paul’s life as he daydreams that he will risk losing his recording company to the lowlife Mr. Rath unless he finds the sole copy of his latest album by midnight.
The movie centres on a chaotic day in rock star Paul’s life as he daydreams that he will risk losing his recording company to the lowlife Mr. Rath unless he finds the sole copy of his latest album by midnight.
Actors:
Sian Pinder,
Marie Collett,
David Easter,
Donald Douglas,
Bryan Brown,
John Salthouse,
Richard Kane,
James Payne,
Robert Longden,
Arthur Cox,
Leonard Fenton,
...»
Sian Pinder
Marie Collett
David Easter
11 November 1959, Eastleigh, Hampshire, England, UK
Donald Douglas
7 March 1933, Falkirk, Stirlingshire, Scotland, UK
Bryan Brown
23 June 1947, Sydney, New South Wales, Australia
John Salthouse
16 June 1951, London, England, UK
Richard Kane
17 September 1938, Birmingham, England, UK
James Payne
Robert Longden
Arthur Cox
7 April 1934, Banbridge, County Down, Northern Ireland, UK
Leonard Fenton
29 April 1926, London, England, UK
Director:
Peter Webb
Peter Webb
March1942, UK
Country:
United States
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October 23, 2004
Give My Regards to Broad Street is about as close as you can get to a nonmovie, and the parts that do try something are the worst.
Las Vegas Review-Journal
March 10, 2006
Great music can't compensate for underdone plot and self-indulgent staging,
Mountain Xpress (Asheville, NC)
May 23, 2004
Vanity project for McCartney. Director Webb has lots of style -- none of it his own.
Advocate (Baton Rouge, LA)
July 30, 2005
It's nice to McCartney and Starr making music together again, but the film mostly flops.
February 09, 2006
Token attempt at street cred: if Paul doesn't get the tapes back, he'll be taken over by a sunglasses-wearing business shark.
January 01, 2000
You could call it a self-serving film, were McCartney's complacency not so all-embracing: self-flattery requires at least a hint of self-doubt, but there's no trace of anything remotely that unsettling on McCartney's placid, Buddha-like brow.
eFilmCritic.com
April 03, 2005
A really bad movie that exists solely to showcase McCartney's new tunes.
New York Times
May 20, 2003
A lot of effort has gone into this film's production values, but continuity seems, at best, to have been a secondary concern.
Nolan's Pop Culture Review
April 29, 2005
Average story but great songs and set pieces.
September 10, 2007
The acting here is weaker than the slender story, but intermingled with all the silliness are some fine performances of McCartney-Beatle standards as well as three new songs.