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Frankenstein (1931)
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Frankenstein (1931)

Description
In a stunning invention by a doctor who is trying to break the rules of humanity. The doctor named Henry Frankenstein performs a dangerous task by trying to create a new human being by assembling the parts of a deceased person. The doctor will succeed in that task but to no avail will create a monster that deals with life and people dramatically in a story that carries the meaning of hope and perhaps excitement.
Actors: Francis Ford,
Francis Ford
Francis Ford 14 August 1881, Portland, Maine, USA
Cecil Reynolds,
Cecil Reynolds
Cecil Reynolds 24 November 1880, Paxton Hall, England, UK
Mae Clarke,
Mae Clarke
Mae Clarke 16 August 1910, Philadelphia, Pennsylvania, USA
Inez Palange,
Inez Palange
Inez Palange June 13, 1889 in Naples, Italy
Michael Mark,
Michael Mark
Michael Mark 15 March 1886, Mogilev, Russian Empire [now Belarus]
Carmencita Johnson,
Carmencita Johnson
Carmencita Johnson March 31, 1923 in Los Angeles, California, USA
Frederick Kerr,
Frederick Kerr
Frederick Kerr 11 October 1858, London, England, UK
Ted Billings,
Ted Billings
Ted Billings 7 April 1880, London, England, UK
Dwight Frye,
Dwight Frye
Dwight Frye 22 February 1899, Salina, Kansas, USA
Colin Clive,
Colin Clive
Colin Clive 20 January 1900, St. Malo, France
Boris Karloff,
Boris Karloff
Boris Karloff 23 November 1887, Camberwell, London, England, UK
...»
Genre: Sci-FiDramaHorror
Director: James Whale
James Whale
James Whale 22 July 1889, Dudley, Worcestershire, England, UK
Country: United States
Release: 1931
IMDb: 7.70
Quality:
Duration: 70 min
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Frankenstein (1931)
CRITICS OF "Frankenstein (1931)"
Movies123
Slant Magazine
Resource

August 10, 2010

Frankenstein is a horror film that turns (miraculously) into an existential tale of man's fear of abandonment
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Hollywood Reporter
Resource

November 16, 2014

James Whale has done a great job in his direction. This is not an easy thing to direct -- just how far to go in playing upon an audience's credulity, it's sympathy, it's nerves. Whale seems to have gone far enough, but not too far.
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Time Out
Resource

January 26, 2006

The film is unique in Whale's work in that the horror is played absolutely straight, and it has a weird fairytale beauty not matched until Cocteau made La Belle et la BĂȘte.
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Common Sense Media

January 01, 2011

Classic monster movie still electrifies.
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Radio Times
Resource

October 07, 2013

Shocking in its day and still a genuinely creepy experience, director James Whale's primitive yet enthralling interpretation of Mary Shelley's classic tale of man playing God is the most influential genre movie ever made.
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Village Voice
Resource

October 20, 2016

The most influential horror film ever made, this stark and stylish work has a weird fairytale beauty.
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Variety
Resource

September 24, 2007

Maximum of stimulating shock is there, but the thing is handled with subtle change of pace and shift of tempo that keeps attention absorbed to a high voltage climax.
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Combustible Celluloid
Resource

October 10, 2012

The film has a touching, almost childlike humanity that allowed audiences to actually identify with the monster.
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TIME Magazine
Resource

October 07, 2008

[Whale] did it in the Grand Guignol manner, with as many queer sounds, dark corners, false faces and cellar stairs as could possibly be inserted.
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Reel Film Reviews
Resource

November 04, 2012

...a watchable yet consistently uneven horror flick that feels long even at 70 minutes...
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Chicago Reader
Resource

June 05, 2007

One of the most deservedly famous and chilling horror films of all time.
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