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Description
Nishi (Takeshi Kitano) is a policeman is in a great torment by dint of his family with many chaoses. One day, he makes an important decision to leave his office to control his life better, which leads to unexpected circumstances.
Nishi (Takeshi Kitano) is a policeman is in a great torment by dint of his family with many chaoses. One day, he makes an important decision to leave his office to control his life better, which leads to unexpected circumstances.
Actors:
Yôichi Nagai,
Yûko Daike,
Muhômatsu,
Hiromi Kikai,
Kayoko Kishimoto,
Junichirô Asano,
Motoharu Tamura,
Koichiro Hama,
Ai Kishina,
Yôko Imamoto,
Ayako Masuya,
...»
Yôichi Nagai
Yûko Daike
9 August 1971, Kôchi, Japan
Muhômatsu
Hiromi Kikai
1964, Uji, Kyoto, Japan
Kayoko Kishimoto
29 December 1960, Shizuoka, Japan
Junichirô Asano
Motoharu Tamura
Koichiro Hama
Ai Kishina
Yôko Imamoto
Ayako Masuya
Director:
Takeshi Kitano
Takeshi Kitano
18 January 1947, Tokyo, Japan
Country:
United States
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January 01, 2000
Simultaneously coolly stylized and surprisingly emotionally persuasive.
January 17, 2017
Hana-Bi is a rare and unique portrayal of violence, futile anger and defiance.
January 01, 2000
Richly satisfying to the emotions and the senses.
February 28, 2002
A really good example of character development by actions, without the benefit of dialog or mannerisms.
January 01, 2000
An exceptional piece of filmmaking, a drama that blurs the line between the ultra-violent cop movie genre and weepy but moving melodrama, and does it very convincingly.
September 07, 2001
Moody drama from Takeshi Kitano.
January 01, 2000
Takeshi Kitano, who made it, must be very serene or very angry; only extreme states allow such a narrow focus.
July 07, 2004
Kitano uses his own face as a blank slate with which to sketch a complicated human being.
January 01, 2000
A fascinating film.
August 21, 2009
Compared to [Takeshi] Kitano, Bruce Willis is a wimp, Harrison Ford is a creep, and Mel Gibson is a joke.
January 01, 2000
This highly original film is at times a masterpiece and at other times it seems like a grade B-movie.
October 23, 2003
Kitano makes static, understated movies about existences wasted, and rediscovering the joy of being, for a brief time, alive.... Violence comes in sudden bursts, as a shocking interruption.