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Entrapment
Description
Insurance investigator Virginia 'Gin' Baker, looking into a stolen Rembrandt painting, suspects that accomplished thief Robert 'Mac' MacDougal is responsible. She is sent to capture him, but he proves even more elusive and crafty than she expected.
Insurance investigator Virginia 'Gin' Baker, looking into a stolen Rembrandt painting, suspects that accomplished thief Robert 'Mac' MacDougal is responsible. She is sent to capture him, but he proves even more elusive and crafty than she expected.
Actors:
Eric Meyers,
Sai-Kit Yung,
Catherine Zeta-Jones,
Hari Dhillon,
Tom Clarke Hill,
Tony Xu,
Rhydian Jai-Persad,
Tina Simmons,
Aaron Swartz,
Ravin J. Ganatra,
Kevin McNally,
...»
Eric Meyers
Sai-Kit Yung
Catherine Zeta-Jones
25 September 1969, Swansea, West Glamorgan, Wales, UK
Hari Dhillon
1968, San Francisco, California, USA
Tom Clarke Hill
Tony Xu
Rhydian Jai-Persad
Tina Simmons
Aaron Swartz
Ravin J. Ganatra
Kevin McNally
27 April 1956, Bristol, England, UK
Director:
Jon Amiel
Jon Amiel
20 May 1948, London, England, UK
Country:
United Kingdom, Germany, United States
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April 12, 2004
It plays more like a big-budget episode of Remington Steele or Hart to Hart.
March 19, 2002
Lives up to its title -- spend 100-plus minutes with this lacklustre thing and you definitely feel snookered.
December 08, 2002
The stars have zero chemistry and the movie is none too thrilling.
January 01, 2000
The legendary Sean Connery and the enthralling Catherine Zeta-Jones are less than the sum of their wonderful parts!
Arkansas Democrat-Gazette
January 08, 2005
A certain sunny sloppiness almost redeems Jon Amiel's throwback caper flick
Common Sense Media
December 24, 2010
Heist film with reliable plot. Teens OK.
November 06, 2002
It's a superficial but entertaining caper that's a good, old-fashioned yarn.
Arizona Republic
January 01, 2000
The movie deflates early and sags from there!
Cinema em Cena
June 15, 2006
Connery e Zeta-Jones, com suas presenças fortes, prendem nossa atenção. O problema sĂł começa quando, em função do fraquĂssimo terceiro ato, passamos a nos atentar para as fragilidades do roteiro.
Chicago Tribune
January 01, 2000
A wildly expensive movie full of computers, nonsense and violence, a film where wit, romance, elegance - everything - is sacrificed on the altar of giganticism, cliche and over-the-top action.
July 30, 2007
Gets by well enough on style and star chemistry and the basic allure of watching a tightly-planned caper unfold.
New York Post
January 01, 2000
Another soulless, by-the-numbers attempt to resurrect a genre that made money for the studios in the past.