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Don't Say a Word
Description
Dr. Nathan Conrad is psychiatrist in New York. He seems to have a perfect life with a beautiful wife and a lovely daughter. But everything is changed strongly after his daughter is captured by ruthless crime.
Dr. Nathan Conrad is psychiatrist in New York. He seems to have a perfect life with a beautiful wife and a lovely daughter. But everything is changed strongly after his daughter is captured by ruthless crime.
Actors:
Lorli Villanueva,
Lance Reddick,
Arlene Duncan,
Sean Bean,
David Warshofsky,
Philip DeWilde,
Colm Magner,
Aidan Devine,
Larry Block,
Daniel Kash,
Famke Janssen,
...»
Lorli Villanueva
June 3, 1946 in Philippines
Lance Reddick
1962, Baltimore, Maryland, USA
Arlene Duncan
Sean Bean
17 April 1959, Sheffield, South Yorkshire, England, UK
David Warshofsky
23 February 1961, San Francisco, California, USA
Philip DeWilde
10 July 1972, Toronto, Ontario, Canada
Colm Magner
18 August 1961, Toronto, Ontario, Canada
Aidan Devine
Larry Block
30 October 1942, New York City, New York, USA
Daniel Kash
25 April 1959, Montréal, Québec, Canada
Famke Janssen
5 November 1964, Amstelveen, Noord-Holland, Netherlands
Director:
Gary Fleder
Gary Fleder
19 December 1965, Norfolk, Virginia, USA
Country:
United States
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June 09, 2002
Michael Douglas has to use nearly every acting trick in his arsenal to distract us from a plot that's as flimsy and fragile as a house of cards.
October 04, 2001
In the place of consistent psychological tension, we are saddled with shoot-outs, chases, and fight scenes.
May 30, 2002
O roteiro contĂ©m vários buracos colossais que tornam a trama ofensivamente inverossĂmil.
Washington Post
September 28, 2001
It's a Hollywood movie, not a good movie.
January 12, 2003
Generic thriller.
June 13, 2006
As generic as the title suggests, this routine psychological thriller about a yuppie shrink whose daughter is kidnapped can't be saved by Michael Douglas's screen presence.
October 21, 2002
Fleder can only fling the camera about and indulge in some familiar screen sadism ... as he tries to squeeze a few thrills from material as desiccated as his leading man.
October 01, 2001
A well-crafted thriller that breaks no new ground but is an exciting diversion with plausible twists of logic and an exciting climax.
February 13, 2003
Rarely rises above the status of conventional thriller.
Village Voice
October 02, 2001
As an odyssey of paternal qualm, Fleder's forgettable thriller has a convincing edge, and Douglas remains unchallenged as Hollywood's most tremulous and disquieting dad-under-pressure.
March 19, 2003
This could have been a pretty tight little thriller if it weren't for the gaping, bleeding plot bulletholes.
Slate
September 28, 2001
A big, noisy mess, with a howler at its center.

