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Dog Day Afternoon
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Dog Day Afternoon

Description
When inexperienced criminal Sonny Wortzik (Al Pacino) leads a bank robbery in Brooklyn to finance Leon's sex-change operation, things quickly go wrong, beginning with the fact that there is almost no money in the bank, and a hostage situation develops. 
Actors: Ben Lautman,
Ben Lautman
Ben Lautman
Al Pacino,
Al Pacino
Al Pacino 25 April 1940, Manhattan, New York City, New York, USA
Kenneth McMillan,
Kenneth McMillan
Kenneth McMillan 2 July 1932, Brooklyn, New York, USA
Dick Anthony Williams,
Dick Anthony Williams
Dick Anthony Williams 9 August 1934, Chicago, Illinois, USA
Sully Boyar,
Sully Boyar
Sully Boyar 14 December 1923, Brooklyn, New York City, New York, USA
Judith Malina,
Judith Malina
Judith Malina 4 June 1926, Kiel, Schleswig-Holstein, Germany
Lance Henriksen,
Lance Henriksen
Lance Henriksen 5 May 1940, New York City, New York, USA
Lionel Pina,
Lionel Pina
Lionel Pina 10 March 1956, New York City, New York, USA
Charles Durning,
Charles Durning
Charles Durning 28 February 1923, Highland Falls, New York, USA
Marcia Haufrecht,
Marcia Haufrecht
Marcia Haufrecht
Ron Cummins,
Ron Cummins
Ron Cummins
...»
Genre: CrimeDrama
Director: Sidney Lumet
Sidney Lumet
Sidney Lumet 25 June 1924, Philadelphia, Pennsylvania, USA
Country: United States
Release: 1975
IMDb: 8.0
Quality:
Duration: 125 min
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Dog Day Afternoon
CRITICS OF "Dog Day Afternoon"
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Video-Reviewmaster.com

October 23, 2008

Fine, but overrated Pacino vehicle directed by Lumet.
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Chicago Reader
Resource

April 27, 2009

One of Sidney Lumet's best jobs of directing and one of Al Pacino's best performances (as a bisexual bank robber) come together in a populist thriller with lots of New York juice
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New York Times
Resource

May 09, 2005

It's beautifully acted by performers who appear to have grown up on the city's sidewalks in the heat and hopelessness of an endless midsummer.
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Cinema Sight
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April 11, 2011

Strong performances and forward-thinking situations make this political thriller an exceptionally vibrant experience.
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Antagony & Ecstasy
Resource

January 02, 2016

Presents a remarkable collection of human beings behaving under stress.
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Chicago Reader
Resource

April 27, 2009

Enjoyable and even exciting at the start, Dog Day Afternoon degenerates into frustration and tedium toward nightfall -- an experience no less painful for the audience than for the actors.
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Variety
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August 24, 2008

Dog Day Afternoon is, in the whole as well as the parts, filmmaking at its best.
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ColeSmithey.com
Resource

May 30, 2011

As much as it is about a deeply troubled individual, "Dog Day Afternoon" is about a shift toward exploitation in the American media via live television.
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TIME Magazine
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August 24, 2008

[Pacino] gives an electric performance, charged with a lunatic energy that expertly captures the weird blend of confidence and self-deprecation (if not hatred) that marks the paranoid syndrome.
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Salt Lake City Weekly
Resource

October 19, 2015

[Dog Day Afternoon] speaks to a particular moment in an edgy early 1970s New York City -- a post-Stonewall city of people figuring out identities, and bubbling with anti-establishment anger and a nascent culture of exploitation media.
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Time Out
Resource

January 26, 2006

The film's strength lies in its depiction of surfaces, lacking the visual or intellectual imagination to go beyond its shrewd social and psychological observations and its moments of absurdist humour.
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