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Amarcord
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Amarcord

Description
Amarcord centers on Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano and social rituals, adolescent desires, male fantasies, and political subterfuge in 1930s Fascist Italy.
Actors: Giuseppe Ianigro,
Giuseppe Ianigro
Giuseppe Ianigro
Gennaro Ombra,
Gennaro Ombra
Gennaro Ombra
Armando Brancia,
Armando Brancia
Armando Brancia 9 September 1917, Naples, Campania, Italy
Stefano Proietti,
Stefano Proietti
Stefano Proietti
Antonio Spaccatini,
Antonio Spaccatini
Antonio Spaccatini
Mauro Misul,
Mauro Misul
Mauro Misul 1923, Livorno, Tuscany, Italy
Marcello Di Falco,
Marcello Di Falco
Marcello Di Falco 1943, Rome, Lazio, Italy
Bruno Lenzi,
Bruno Lenzi
Bruno Lenzi
Ferruccio Brembilla,
Ferruccio Brembilla
Ferruccio Brembilla
Domenico Pertica,
Domenico Pertica
Domenico Pertica 30 January 1921, Palombara Sabina, Rome, Lazio, Italy
Luigi Rossi,
Luigi Rossi
Luigi Rossi
...»
Genre: ComedyDrama
Director: Federico Fellini
Federico Fellini
Federico Fellini 20 January 1920, Rimini, Emilia-Romagna, Italy
Country: France
Release: 1973
IMDb: 7.9
Quality:
Duration: 123 min
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Amarcord
CRITICS OF "Amarcord"
Movies123
Flick Filosopher
Resource

December 13, 2009

[S]imply nonsensical to me. Fascists are idiots, Catholic priests are clowns -- I agree with this. So why don't I feel it?
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TIME Magazine
Resource

April 27, 2009

Fellini is so bountiful with incident and observation that he makes most other film makers seem stingy.
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Film4
Resource

April 27, 2009

Bloated, overblown and essentially empty, Fellini's last hit movie skims over the surface of the lives it depicts, substituting manufactured sentiment for genuine feeling or understanding.
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Variety
Resource

December 03, 2008

This Fellini opus is his most accessible to mass audiences since La Dolce Vita.
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Boston Phoenix
Resource

December 17, 2009

Seen today, Amarcord is something of a disappointment, clever and moving in places, but also sprawling, undisciplined, clumsy in patches, and decidedly overlong.
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Cinemania
Resource

January 10, 2016

Fellini shoots much of the film in muted colors that seem slightly out-of-focus, as if he were attempting to transport us into a dreamlike state.
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Boston Globe
Resource

December 22, 2009

Continues to resemble something a lewd, grouchy, fitfully indecent silent-movie director might have made for his first time using color and sound. That, at least, would explain the shouting.
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Washington Post
Resource

March 13, 2009

Orthodox Fellini lovers will give primacy to La Strada or La Dolce Vita, but Amarcord has its fans, and it's easy to see why.
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Movie Metropolis
Resource

February 26, 2011

Sweet and endearing for many, irritating and tedious for others.
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Minneapolis Star Tribune
Resource

March 27, 2009

Federico Fellini's films beg to be seen on a movie screen. Their panoramic, overstuffed frames and larger-than-life characters overflow the boundaries of home theater; their exuberant, generous humor is best enjoyed in a packed auditorium.
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Trespass
Resource

September 08, 2013

Fellini's ability to compose a frame that oozes baroque drama and vitality is almost unparalleled and Amarcord more or less succeeded for me in evoking a time period through the eyes of a young boy...
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Los Angeles Times
Resource

February 13, 2009

He [Director Fellini] leaves us with the hope that the human comedy just may be able to survive everything.
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