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Across 110th Street
Description
The film concentrates on a corrupt, older white cop and a young African-American cop are responsible for chasing three criminal running away with a lot of money. The police must find all ways to catch them before cruel the Mafia henchman does that.
The film concentrates on a corrupt, older white cop and a young African-American cop are responsible for chasing three criminal running away with a lot of money. The police must find all ways to catch them before cruel the Mafia henchman does that.
Actors:
Robert Jackson,
Maria Carey,
Phil Kennedy,
Antonio Fargas,
Frank Arno,
Clebert Ford,
Joe Dismas,
Arnold Williams,
Dallas Edward Hayes,
Nat Polen,
Keith Davis,
...»
Robert Jackson
Maria Carey
Phil Kennedy
Antonio Fargas
14 August 1946, New York City, New York, USA
Frank Arno
4 April 1926, Brooklyn, New York, USA
Clebert Ford
29 January 1932, Brooklyn, New York, USA
Joe Dismas
Arnold Williams
1935
Dallas Edward Hayes
Nat Polen
14 June 1914, New York City, New York, USA
Keith Davis
Director:
Barry Shear
Barry Shear
23 March 1923, New York City, New York, USA
Country:
United States
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Video-Reviewmaster.com
March 14, 2009
Dated crime drama headed by top cast including Anthony Quinn.
February 09, 2006
It's a gutsy affair, given a distinct lift by the Harlem locations; and between the bouts of physical aggression, there are occasional moments of insight into the fraught relationship between Quinn and Kotto.
May 24, 2003
Before studios insisted on an injection of sugary sentiment, this what what a New York cop thriller looked like.
May 24, 2014
Violence, especially violence at the expense of the black community, has seldom been more candidly dissected and critiqued in American film as it is in Across 110th Street.
December 20, 2010
One of the best actioners of the 1970s, this unpretentious film benefits from sharp editing, on-location shooting and strong acting.
May 23, 2014
Smartly edited with terrific location work in New York City. The dependable Kotto is a standout.
March 26, 2009
[Across 110th Street] is well-made, realistic in presentation and effect with uniformly good portrayals from actors, but depressingly lacking in a sympathetic focal point for audiences to grasp.
February 17, 2002
Extremely seedy and violent, this 1972 feature by Barry Shear and cinematographer Jack Priestley makes extraordinary use of Harlem locations.
March 22, 2011
[VIDEO] As exaggerated as the violence appears, it is in keeping with the social climate of the time. No punches are pulled, and rightly so.
New York Times
May 09, 2005
It manages at once to be unfair to blacks, vicious towards whites and insulting to anyone who feels that race relations might consist of something better than improvised genocide.
May 23, 2014
Barry Shear's picture tries to be hard-edged and aim for realism, but doesn't always succeed.
September 27, 2014
Gritty and mindful of perspective, the feature is a bruising examination of power and desperation, filled with energetic chases and fiery confrontations.