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400 Days
Description
A group of astronauts are locked in a simulator to study the psychological effects of deep space travel. After 400 days and much psychological duress, they are finally released, only to find that this mission may not have been a simulation after all.
A group of astronauts are locked in a simulator to study the psychological effects of deep space travel. After 400 days and much psychological duress, they are finally released, only to find that this mission may not have been a simulation after all.
Actors:
Frank Ashmore,
Stevens Gaston,
Dane Cook,
Stefanie Feldman,
Kim Estes,
Luke Barnett,
Gretchen Dickason,
Jim Mitchell,
Oz Kalvan,
Sharon Bremond,
Grant Bowler,
...»
Frank Ashmore
17 June 1945, El Paso, Texas, USA
Stevens Gaston
Dane Cook
18 March 1972, Boston, Massachusetts, USA
Stefanie Feldman
Kim Estes
Luke Barnett
13 February 1983, Washington, District of Columbia, USA
Gretchen Dickason
Jim Mitchell
Oz Kalvan
Sharon Bremond
Grant Bowler
18 July 1968, Auckland, New Zealand
Director:
Matt Osterman
Matt Osterman
27 May 1978, Rhinelander, Wisconsin, USA
Country:
United States
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August 18, 2016
Nearly all the spooky bits are achieved by pure aural assault, and the characters are such stock types, haunted by such predictable backstories, it's like watching Solaris performed by sock puppets.
January 24, 2016
There is rarely a moment when 400 Days isn't a structural mess.
January 15, 2016
Has just enough plot twists and suspense to keep you from going (like them) too stir-crazy. I said "just."
January 14, 2016
Tosses out a lot of potential what-ifs but never commits to any of them.
August 18, 2016
What 400 Days does do... is force you to think about how you would handle the situations the crew are faced with.
August 18, 2016
In the end, 400 Days is a good and compelling idea that has been disappointingly realised with a preposterous second half.
January 14, 2016
"400 Days" isn't strong stuff to begin with, but a few bewildering creative choices made by the production take a comfortably average thriller and reduces it to tone-deaf junk.
August 18, 2016
If a mystery needs judging by its pay-off, Matt Osterman's low-budget SyFy sci-fi sadly fumbles any early promise.